Dear visitor, if you take the trouble to read : I apologize for all the bad, syrup-thick blog prose here. Man is it bad, so much of it. I wish hereby to take responsibility and express regret for many wrongs committed by keyboard. — pdb
That’s Poe in full smirk, ‘How to Write a Blackwood Article’ — parody it might have done me good to come across sooner than I did, some years back now.
Quare id faciam I pulled from one of Catullus’ better-known little verses, encountered in low-level Latin courses in college. Embarrassing, yes, that I borrowed it in the first place (albeit without much pretension; just liked the excised snippet for itself) twenty-odd years ago. More embarrassing that I’m kind of using it as a handle still !
Well, I’m kind of attached to it still — what can I say? Not every dumb thing you do when young has to be repudiated utterly.
brief items( see all )
‘The impressive thing is the range of conversations he maintains, the catbird-seat view of a diverse and sometimes precipitously-changing small industry with outsize cultural impact. People do just like to talk to him, plainly enough, but I think he enjoys the wide respect and gets to pull so much story together, working alone, in large part because he’s built the thing out in a manifestly serious way. Not just being a swell fellow that’s earned all that trust. Anyway, for my part, this is what I’d love to hear him have occasion to talk about — building that up (and where he thinks he might go with it, insofar as the question applies).’
That’s from my note to Simon Owens suggesting that he invite David Harper, the guy who runs online comics journal SKTCHD and hosts linked weekly podcast Off Panel, to be a guest on his (previously mentioned) podcast The Business of Content.
Well, connection was made, and I indeed got to hear them have that chat. This was a couple of weeks ago, in fact; I’ve just been too busy to get in a post about it here.
There’s a degree of purely private satisfaction for me in listening to them talk, naturally. But it’s good to have a glimpse of Harper’s project through Owens’ viewfinder. Harper is maybe a little unusual as subject for Owens’ journalism — certainly not among the bigger media-pond fish he tackles, anyway. The total media marketplace in our digital age, though, obviously includes an awful lot of strictly organically-conceived and -grown, personality-driven ‘niche’ work that may well only ever amount to modest businesses. Harper’s is what I’d call a sweet example (as also in many respects is Owens’, for that matter). I know I’m far from alone in finding this layer of market ecosystem fascinating matter.
The immediately previous post might lead someone to guess that when it comes to political and economic alternatives, I’m only about the ‘third-way.’ That isn’t really true. I am wary of labels, but I’d be happy to be thought of as a socialist on some understandings of the word, especially if what can be called the ‘early socialism’ of two centuries ago is acknowledged as viable tradition. I’d much rather be lumped in with the left than the right, generally, if we’re being sloppy about it.
This post isn’t for sorting out my views on anything, though, it’s just for observing that the DSA — of which I’m not a member — holds an event on religion and socialism this Saturday and Sunday. (I only learned of it over the weekend.)
Presenters are to include representatives of the DSA Muslim Caucus. I think of this and the previous post as complementaries to a degree.
‘Yes, well, I’m neither capitalist nor socialist, I’m …’
In the circles I’ve moved in, the word you’d expect to follow is ’Catholic.’ The Catholics I know often readiest with something of a developed identity and a line of argument in this vein regard themselves as advocates of distributism, a term with some popularity a century ago, in the English-speaking world particularly, through the influence of G K Chesterton in association with his friend, Manchester M.P. Hilaire Belloc. If you know a bit about the history here, the term’s associations may be troubling. (It’s partly from acquaintance with this history over about a decade now that my own concerns about the problem of pinning down fascism have gradually grown.)
But it’s far from true that such a ‘neither capitalist nor socialist’ preface must come from a Christian perhaps on the slippery slope to one of the many forms of fascistic Western-civilizationism. The world’s more complicated than that.
I’m excited lately about a new podcast called Re-Envision Business, hosted by U.K.-based Sheeza Shah, whose roles include heading operations for the international anti-inequity business network Zebras United. For her most recent guest, Umar Nasser, it’s ‘I’m neither capitalist nor socialist, I’m a Muslim.’ Check out their conversation, which ended up long enough that it had to be presented in two parts.
(Update: See also the post that follows this one.)
Ed Piskor & Jim Rugg, the Cartoonist Kayfabe guys, play host to notable cartoon collector and SPX exec director Warren Bernard in their YouTube chats of the past week. I’m highlighting one here, their ~20-min. review of the history of the publishing business’s long-conventionalized but never very usefully defined category of the ‘graphic novel,’ illustrated with items from Bernard’s collection. You can learn plenty just by visiting Wikipedia’s page on the subject, but this is more fun.
Fueling my ruminations about liberal and fascist forms of social & political order in familial relation, lately, has been Robert Elder’s new biography of John C. Calhoun (1782 – 1850) of South Carolina. Reading the book itself will have to wait, in my case, sadly. Till then, getting to know Elder’s subject and thesis a bit in his own words isn’t hard to do.
I first learned about the book from Elder’s friend and mine, my Solidarity Hall associate Elias Crim. One of the links below is Elder’s conversation with Elias and co-host Pete Davis for Solidarity Hall’s Dorothy’s Place podcast. It’s good.
Until pretty recently, the conventional story about slavery and the states in accelerating conflict in America’s 19th century has set an industrially and societally progress-oriented North opposite a tradition-anchored agrarian South in relatively tidy contrast. That story is itself increasingly folded into subsequent period history now, a new consensus view replacing it. Elder’s Calhoun develops this view and offers, among other things, a sharpened picture of the U.S. alongside its variously urgently-modernizing European sister polities.
Calhoun’s America is a large subject, needless to say. Each conversation here draws out something different in Elder’s approach to it.
now on 1 of 11 pages